Bonsai Styles and Sizes
Bonsai, as a Japanese form, is more regulated than it's Chinese counterpart, the penjing. Bonsai attempts to achieve the ideal tree,
while penjing attempts to reproduce nature. This is why perfect styling exists in bonsai if you obey the "rules", while penjing leaves
you free to your creation. As a result these are basic styles.
( Chokkan )
The formal upright style is a very common form of Bonsai. This style occurs often in nature, especially when the tree is exposed to lots of light and doesn’t face the problem of competing trees. For this style, tapering of the upright-growing trunk must be clearly visible. The trunk must therefore be thicker at the bottom and must grow increasingly thinner with the height. At about 1/4 of the total length of the trunk, branching should begin. The top of the tree should be formed by a single branch; the trunk should not span the entire height of the tree.
( Moyogi )
The informal upright style is common in both nature and in the art of Bonsai. The trunk grows upright in the shape of a letter ‘S’ and at every turn branching occurs. Tapering of the trunk must be clearly visible, with the base of the trunk thicker than the higher portions.
( Chakkan )
As a result of the wind
blowing in one dominant direction or when a tree is in the shadow and
must bend toward the sun, the tree will lean in one direction. With
Bonsai, the leaning style must grow
semi-cascade style, just like the cascade style, is found in nature on
cliff and on the banks of rivers and lakes. The trunk grows upright for
a small distance and then bends downward. Unlike
living in the nature on a steep cliff can bend downward as a result of several factors, like snow or falling rocks, for example. These factors
cause the tree to grow downward. With Bonsai it can be difficult to
maintain a downward-growing tree because the direction of growth opposes
Cascade Bonsai are
planted in tall pots. The tree should grow upright for a small distance
but then bend downward. The crown of the tree usually grows above the
rim of the pot, but the subsequent branches alternate left and right on
the outermost curves of the S-shaped trunk. These branches should grow
out horizontally in order to maintain the balance
( Bujingi )
The literati style is the prime example of trees that must struggle to survive. In nature this style of tree grows in areas densely populated by many other trees and competition is so fierce that the tree can only survive by growing taller then all others around it. The trunk grows crookedly upward and is completely without branching because the sun only hits the top of the tree. To make sure that it looks even tougher, some branches are “Jinned” (without bark). When the bark has been removed from one side of the trunk, the trunk is referred to as a “Shari”. The idea is to demonstrate that the tree really has to struggle to survive. These trees are normally placed in small, round pots.
( Fukinagashi )
The windswept style is also a good example of trees that must struggle to survive. All the branches and also the trunk grow to one side as though the wind has been blowing the tree constantly in one direction. The branches grow out on all sides of the trunk but will all eventually be bent to one side.
( Sokan )
The double trunk style is
common in nature, but is not actually that common in the art of Bonsai.
Usually both trunks will grow out of one root system, but it is also
possible that the smaller trunk grows out of the larger trunk just above the ground. The two trunks will vary in both thickness and length, the
( Kabudachi )
In theory the multi trunk
style is the same as the double trunk style, but with 3 or more trunks.
All the trunks grow out of one root system, and it truly is one single
tree. All the trunks form one crown of leaves, in which the thickest and
most developed trunk forms the top. It is preferred, by Japanese bonsai,
( Yose-Ue )
The forest style looks a
lot like the multi-trunk style, but the difference is that it is
comprised of several trees rather than one tree with several trunks. The
most developed trees are planted in the middle of a large and shallow
pot. On the sides of the pot a few smaller trees are planted to
contribute to one single crown. The trees are planted not in a straight
( Seki-Joju )
On rocky terrain, trees
must search for good soil
in a Rock
( Ishisuki )
In this style the roots of the tree are growing in the cracks and holes of the rock. This means that there is just not much room for the roots to develop and take up nutrients. Trees which grow in rocks will never look really healthy, thus it should be visible that the tree has to struggle to survive. It is important to fertilize and water this style often, because there is not much space available to store water and nutrients. The rock in which the Bonsai grows is often placed in a very shallow dish, which is sometimes filled with water of very fine stones.
( Ikadabuki )
Sometimes a cracked tree
can survive by pointing its branches upward. The old root system is then
just capable of providing the branches with enough nutrients. After a
while new roots start growing out of the side of the fallen tree, and
these roots will eventually take over the function of the old root
system. The old branches which now point into the air develop as a
result of this increasing influx of nutrients: The raft style has been
created! The new trunks form one single crown of leaves; just like the
Yose-Ue style. The difference between the Yose-Ue style and the
Ikadabuki styles lies in the fact
( Sharimiki )
As time passes, some trees develop bald or barkless places on their trunks as a result of harsh weather conditions. The barkless portion usually begins at the place where the roots emerge from the ground, and grows increasingly thinner as it travels up the trunk. Intense sunlight can bleach these parts, forming a very characteristic portion of the tree. With Bonsai the bark is removed with a very sharp knife and the barkless spot is treated with calcium sulfate in order to expedite the bleaching process.
( Hokidachi )
The broom style is suited
for deciduous trees with extensive, fine branching. The trunk is
straight and upright and does not continue to the top of the tree;
Bonsai size classifications
ultimate goal of Bonsai is to create a realistic depiction of nature.
As a Bonsai gets smaller (even down to a few inches/centimeters) it increasingly becomes
abstract, as opposed to resembling nature in a more precise way. Several classifications of
Bonsai have been put forward, and although the exact size classifications are disputed,
they help to gain understanding of the aesthetic and botanical aspects of Bonsai.
The classifications are originally based on the number of men needed
to lift the actual tree.
The size classifications, increasing in size
|Keshitsubo:||1-3" (3-8 cm)|
|Shito:||2-4" (5-10 cm)|
|Mame:||2-6" (5-15 cm)|
|Shohin:||5-8" (13-20 cm)|
|Komono:||6-10" (15-25 cm)|
|Katade-mochi:||10-18" (25-46 cm)|
|Chumono / Chiu:||16-36" (41-91 cm)|
|Omono / Dai:||30-48" (76-122 cm)|
|Hachi-uye:||40-60" (102-152 cm)|
|Imperial:||60-80" (152-203 cm)|